2022 - 2024 | Gallery Athanor

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2022 - 2024

The hand drips with gold and lined with black tendrils. It holds a green flame that glows with yellow and blue. Four black triangles intertwine with throughout the various subject matters. The background is a mixture of reds, blues, blacks, and pinks. Large white splatters are scattered throughout as an erratic, unbroken silver line dances about.

The background is red and black which several S-wave scraps showing bits of an underpainting. Two small aqua rectangles are covered by think splatter of white and pile of black paint that looks a bit like a skull due to the white spots on it. A light blue brush stroke wisps throughout the piece as a silver metallic triangle entangles all the elements together.

The background is a crosshatch of red color shifting paint, white, and orange with random black spatters. Several raised drips from a previous draft underneath the final painting add texture to the background. Two large blue-gradient vertical rectangles frame a wondering peach brush stroke while a thin horizontal red rectangle cuts through the center of the canvas. A silver triangle gathers the various elements together as black tendrils streak across the top layer.

The background is white with dark blue spatters moving diagonally across the canvas. Two magenta vertical rectangles are paired with an abstract color-shifting aqua brush stroke that meanders in the opposite direction of the spatters. A wet orange splatter is front and center as a silver triangle connects all elements together.

Note: blue color pictured is NOT true-to-life. This is an approximation. The background is a crosshatch of light blue, brilliant blue and a color-shifting aqua. In person, it resembles the clear blue waters of the Caribbean Sea. A black frame with tendrils on the top and bottom focuses attention to the center of the canvas. Two orange vertical rectangles dance among two abstract red/copper brush strokes. Thin white splatters land horizontally on top while a silver triangle is trapped amongst each element.

The background is a bright green gradient with black spatters. Several half circles in white, black, and silver are scattered throughout the canvas. Two yellow horizontal rectangles are covered by a large magenta splat. An abstract dark green brush stroke twists across the bottom rectangle. A silver triangle is entangled with all the different elements.

The background is a gradient from dark blue to a bright aqua, planted in the top right and bottom left corners. White spatters look like stars. A black translucent frame with silver squiggles brings the focus front and center. Two vertical orange rectangles are layered with a lavender purple splatter. Two silver triangles hover around their respective rectangle, tangling every layer together.

The background has messy brush strokes in various shades of greens. White splatters and gold dots are everywhere. Several snaking transparent white brushstrokes weave throughout the background along with thin golden squiggly lines. There are three large orange rectangles in the center with two gold triangles tangled amongst them.

Two red cherries sit next to each other as little red paint splatters explode upwards into the stems.

The background has a blood red fading into a dark grey, dancing over mountains. White splatters seem to erupt in either direction. A gold triangle holds an epicenter of perceived calm while smoke escapes through the cracks.

The background is a gradient of red and black with white splatters and drippy circles. There is a big brushstroke of a color-shift teal. Two rectangles have a periwinkle to royal blue gradient. There are four distinct patches of black, red, periwinkle, and white that have black tendrils reaching out into space. Several dried black roses with silver highlights are strategically placed on those patches. Finally, Tanith's signature intertwining triangle sits centered, painted in silver.

Background is a solid old gold color with visible brushstrokes. Several black splatters and splotches split the canvas into two distinct halves. The spots are connected together by sinew either pulling them apart or back together. Two distorted red handprints sit center. This piece can be displayed on all sides.

The background is an icy blue with white splatters. A black square with drop shadow frames the main painting. A big blue brush stroke is surrounded by three smaller blue-to-pink rectangles. Small black tendrils curl out from behind the brush stroke. A gold triangle intertwines with all the painting's elements.

The background is a soft blend of dark green and blue with white splatters. There are three curvy sections that have black, gold, and white layered in that order. Two yellow opaque splatters are underneath a textured red S-shaped platte knife stroke. There is some black, white, and yellow details in the red stroke. A white triangle hugs the red stroke closely.

Find me here:

gallery.athanor@gmail.com

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